Celestino exclusively explains to ELLE that the oval shape is an ode to the brand’s symbol, the three tiers are a nod to the three founders, advanced pressed glass technology to create the sculptural design, the lid can also work as a base, and the five muted shades are inspired by the vegetarian of the location each fragrance was inspired by. She had no background in packaging when she embarked on this journey, but she was an expert in crafting atmosphere through design. Inspired by the meeting of ancestral practices and the present day, the notes of white tea dancing amongst flames invoke profound peace.īecause of her work in the glass industry, Diptyque selected architect Cristina Celestino to create this new design because of her feel for decoration and nature-inspired style. La Vallée du Temps replicates the slow, purposeful pace of a traditional, thousand-year-old Chinese “Gong Fu Cha” tea ceremony.Its earthy essence balances accords of cereal crops, a corn-kissed breeze, and warm air - an elevated take on the wild west. Terres Blondes smells of sun-drenched wheat in a high desert plateau in Colorado.The feelings it evokes are those of rare tranquility, the type we often dream of. Its woody fragrance is an artistic composition of green moss, bark, lichen, and velvety notes of matcha. Temples de Mousses is inspired by a Japanese zen garden where 120 rare and delicate varieties of moss flourish.Each flicker of a flame emits a unique tropical, dreamlike scent. Notes of ylang-ylang, tuberose, jasmine, and vanilla swirl to imitate the sanctuary created by the English art collector and poet, Sir Edward James. La Forêt Rêve is a dream getaway to the humid heart of the Mexican jungle.Close your eyes and picture yourself in 16th-century Italy, walking alongside sculpted grottoes and orange trees under the summer sun. Nymphées Merveilles transports your senses to a secluded garden on the outskirts of Milan.Through an exchange of dreams and musings, they landed on a handful of remarkable locations and then entrusted Olivia Giacobeti, the nose behind some of Diptyque’s most iconic scents (i.e.: Philosykos and Feu de Bois), to bring those places to life. While in lockdown, the team flipped through endless travel books to find the answers. “If they were alive today, where would they go?” ponders Diptyque’s SVP of Brand, Laurence Semichon. The founders have all passed, but their nomadic spirits remain central to the brand’s DNA. Unlike all of its classic candles, which each prominently features one scent ( Baies, Figuier, Roses, etc.), these inaugural launches stand apart as they feature a multi-faceted blend that captures the essence and history of each location they embody: Villa Borromeo Visconti, Italy Las Pozas Mexico Arashiyama Japan Jingdezhen, China and Mesa Verda, USA.ĭesmond, Christiane, and Yves relished traveling the world and pouring into Diptyque what most inspired them from their explorations. Marking its first refillable candle collection, Diptyque introduces five luxury pieces inspired by magical yet little-known locations around the globe. Fast forward 60 years and the Maison has taken the next step in embodying at-home luxury with the launch of “ Les Mondes de Diptyque” - the worlds of Diptyque. Little did they know that their brand would become synonymous with “cool girl” status, as evidenced through the endless scroll of soft-hued Instagram posts that prominently spotlight its cult-classic candles. The idea was to be able to travel without motion to a place where exploration meets peace from the confines of their homes - and that desire sparked the beginning of a new chapter for Diptyque.īack in 1961, Desmond Knox-Leet, Christiane Montadre-Gautrot, and Yves Coueslant launched the brand as a bazaar where they expressed their interests and creativity through the sales of potpourri, fabrics, candles, and trinkets from their travels. Overnight, many prioritized making it a sanctuary with a sense of urgency. While they’ve always been sacred, home became an even bigger priority during the pandemic when we all found ourselves confined behind closed doors - hidden from the world. Our homes are our sanctuaries - places we crawl back to every night to exhale.
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